Cali Custom Guitars

Jimi Hendrix (Paint) Music Poster Print - 24x36

This BRAND NEW wall clock measures 10 inches in diameter. It has a black plastic frame with a clear cover. Graphics are rich and vibrant and will last a lifetime. These clocks make a great accent to any room in your home or business. A perfect addition to your kitchen, bathroom, bedroom, family room or anywhere. The clock has precision quartz movement and operates on 1 AA battery (not included). Please take a moment to look through our entire clock inventory by clicking on "Other ClockZone Products" at the top of this page. New designs added monthly, be sure to check back often.

This is a first quality, tough plastic mold. It is durable and reusable. It is not machine washable. Suitable for chocolate and soap making as well as plaster and concrete crafting. FDA approved.

Guggenheim follows three star rock musicians for a year, exploring their musical roots and innovations on the electric guitar.

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White (of the White Stripes, the Raconteurs, and the Dead Weather) was described by one music publication as "the most significant rock 'n' roll figure of the past ten years." Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now (never a virtuoso soloist, he developed a style based on texture and a mind-boggling array of effects); and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a "guitar" from a plank of wood, a piece of wire, and a Coke bottle (he also plays a recording by the primitive bluesman Son House, featuring just voice and handclaps, that White says is still his biggest inspiration). The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep's "In My Time of Dying" (with all three playing slide guitar) and the Band's "The Weight." It's hard to say if the film's appeal will extend beyond guitar freaks and fans of these particular bands, but at the very least, It Might Get Loud offers some interesting insight into the soul and inspiration behind some of pop's best and most popular music. --Sam Graham

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White (of the White Stripes, the Raconteurs, and the Dead Weather) was described by one music publication as "the most significant rock 'n' roll figure of the past ten years." Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now (never a virtuoso soloist, he developed a style based on texture and a mind-boggling array of effects); and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a "guitar" from a plank of wood, a piece of wire, and a Coke bottle (he also plays a recording by the primitive bluesman Son House, featuring just voice and handclaps, that White says is still his biggest inspiration). The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep's "In My Time of Dying" (with all three playing slide guitar) and the Band's "The Weight." It's hard to say if the film's appeal will extend beyond guitar freaks and fans of these particular bands, but at the very least, It Might Get Loud offers some interesting insight into the soul and inspiration behind some of pop's best and most popular music. --Sam Graham

Guggenheim follows three star rock musicians for a year, exploring their musical roots and innovations on the electric guitar.

Getting Started on Electric Guitar offers a complete course for the beginning electric guitarist. Step-by-step lessons incorporating clear, easy-to-follow 3-D graphics and unique play-along tracks teach you the essential chords, scales and techniques used by electric guitar players in every popular style, including rock, blues and country. This DVD is separated into two major sections. Web site links specifically for beginning guitarists A multi-language feature so you can view the DVD in English, Spanish, German, French or Japanese Universally coded for playability worldwide

The compact Studiophile AV 40 powered speakers deliver the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4-inch polypropylene-coated drivers and 3/4-inch ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 speakers also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 reference monitors are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system. A perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system. Click to enlarge. Convenient front auxiliary input and phones jack. Rear features balanced quarter inch and RCA inputs, along with bass boost switch for low-end enhancement. Click to enlarge. Studiophile AV 40 Compact Desktop Speaker System Professional Components--Professional Results The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4-inch TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact speaker system. Extended Low End If you require extra bass response, the Studiophile AV 40 speakers have you covered. MDF wooden cabinets, bass reflex design and an integrated bass boost switch let the Studiophile AV 40s crank out plenty of low end--perfect for urban/dance music, DVDs and more. OptImage III Technology M-Audio's proprietary OptImage III wave guide improves overall detail and clarity while minimizing sound issues that can plague other compact monitors. The system works by improving the overall efficiency of the tweeter as well as time-aligning the drivers. This ensures that the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response. Magnetically Shielded for Desktop Use Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 speakers are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference. AV 40 Specs Type: Two-way desktop reference monitor Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil High-frequency Driver: 1" diameter, magnetically shielded silk dome tweeter Frequency Response: 85Hz - 20kHz Crossover Frequency: 2.7kHz RMS SPL: 101.5dB @ 1 meter Signal-to-Noise Ratio: > 90dB (typical, A-weighted) Input Connectors: Left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input Polarity: Positive signal at "+" input produces outward low-frequency cone displacement Dynamic Power: 20 watts continuous, per channel into 4 Ω Input Impedance: 10 k Ω unbalanced, 20 k Ω balanced Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter Indicator: Blue power LED ring around volume knob on front panel Power Requirements: 100-120V/~50/60Hz, 220-240V/~50/60Hz; powered via detachable 2-conductor line cord Cabinet: Vinyl-laminated MDF Dimensions: 8.75" (H) x 6" (W) x 7.25" (D) Weight: 14 lbs./6.34 kg What's in the Box Pair of AV 40 Monitors, Two Power Cables, 1/8-Inch Mini-to-RCA cable, 1/8-Inch Auxiliary Cable, Bare Wire Cable for Speaker Connection, Two Traction Pads, User's Manual.

The M Audio Studiophile AV40 monitors have changed the world of recording for the traveling studio producer and engineer.The ability to offer professional studio grade monitors at an affordable price has been overtaken by M Audio. Custom Vinyl-Laminate MDF enclosures offer a bass reflex design combined with the polypropylene-coated 4 inch drivers, you get the low end you need. The 3/4 inch ferrofluid-cooled silk dome tweeters provide unmatched clarity for the price allowing you to hear everything. The Studiophile AV 40 monitors also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The perfect companion for traveling musicians.M Audio Studiophile AV40 Features4 inch polypropylene-coated woofers3/4 inch ferrofluid-cooled silk dome tweetersOptImage III tweeter wave guides for superior imaging20-watt-per-channel amplifier with Class A/B architecturemagnetic shielding1/4 inch TRS balanced and RCA unbalanced inputs1/8 inch headphone output1/8 inch stereo auxiliary inputfront-panel volume controlrear-panel on/off controlbass boost controlMDF cabinet with bass reflex port design

Monster Standard 100 Instrument Cable is the first step into a world of flawlessly detailed guitar and bass sound.Precision windings and heavy gauge construction give your sound more presence, wider frequency response, and excellent dynamic range. Dense spiral copper with special dielectric minimizes handling noise. Extra-flexible jacket endures extended stage and studio use. Reinforced connectors stand up to rugged use whether whether you're gigging, tracking in the studio, or jamming in the garage.Monster 100 Series Features & SpecificationsPrecision coaxial design for accurate frequency repsonse and wide dynamic range.90% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution.Carbon-infused dielectric reduces microphonic pops and cracks for a noise-free cable design.IsoTec vibration techonlogy further redudes handling noise.Extra-flexible Duraflex outer jacket for superior reliability and cut resistance.Interchageable, colorOring attaches to each connector for customized identification.New heavy-duty, molded connector design increases durability and resists damage.Hard chrome contact 1/4 inch connectors are durable and corrosion resistant.Professionals recognize that the quality of cable in a sound system can dramatically affect, for better or worse, an entire mix, or an instrument's tone. When you're ready to settle for nothing less than premium cable, Monster is the name to turn to. Available in 3 grades, all Monster Cables are known for incredibly pure sound quality. On a budget? Monster Standard 100 instrument, mic and speaker cables deliver improved performance at an affordable price.

The Hosa CMP153 splits a Stereo Minijack signal into Left and Right quarter-inch connections. For 20 Years, Hosa has provided a cost effective solution to the cabling needs of musicians, engineers, and audio and video enthusiasts the world over. In an effort to further meet those needs, Hosa continues to add new products that make the creative individual's life easier. Indeed, much of what Hosa offers is the direct result of suggestions made by customers and retailers.

Line 6 POD Multi Mounting Bracket brings your POD up to your level.The POD Mounting Adaptor is created from an innovative design. The POD Mount is made from folded, heavy gauge metal with four rubberized pins that fit into the mounting holes underneath your POD making it a snap to assemble. Road Ready, the POD Mount is covered with a scratch-resistant black powdercoat coating.Screws holes are included to permanently attach the mount to your POD, or attach the mount and POD assembly to a desktop or stand. The POD mount is angled to tilt POD toward the user to make it easy to make on the fly adjustments or read the screen. The included locking ring will keep your POD secure on top of any standard mic stand or hardware with standard mic mount threads. This versatile mounting adaptor can also be used to slip under the handle of a guitar amp, to perch your POD in a spot that is easy to reach. So many options for use, No matter where you want your POD, this mount can get it there.