Cali Custom Guitars

Line 6 POD Multi Mounting Bracket brings your POD up to your level.The POD Mounting Adaptor is created from an innovative design. The POD Mount is made from folded, heavy gauge metal with four rubberized pins that fit into the mounting holes underneath your POD making it a snap to assemble. Road Ready, the POD Mount is covered with a scratch-resistant black powdercoat coating.Screws holes are included to permanently attach the mount to your POD, or attach the mount and POD assembly to a desktop or stand. The POD mount is angled to tilt POD toward the user to make it easy to make on the fly adjustments or read the screen. The included locking ring will keep your POD secure on top of any standard mic stand or hardware with standard mic mount threads. This versatile mounting adaptor can also be used to slip under the handle of a guitar amp, to perch your POD in a spot that is easy to reach. So many options for use, No matter where you want your POD, this mount can get it there.

Heat-shrink protects internal solder joints

An original vintage magazine ad print from the year published. Print ads make unique gift items that can be framed as artwork. Shipped flat un-framed in plastic sleeve with backing board.

Collection of live performances played to a packed audience in London's Soho.

Collection of live performances played to a packed audience in London's Soho.

In 2004 the Cotton Bowl in Dallas, Texas, played host to the first Crossroads Guitar Festival - a musical event curated by Eric Clapton. The 2007 inca

A lot of good (and some great) music for a worthy cause takes center stage once again as Eric Clapton hosts the second edition of his Crossroads Guitar Festival, a benefit for his Crossroads Centre rehab facility in Antigua and a near embarrassment of six-string riches occupying two discs. Staged in suburban Chicago in July, 2007, it features several of the same players who were at the first concert (2004, in Dallas), including Robert Cray, Buddy Guy, B.B. King, John Mayer, Vince Gill, John McLaughlin, and Robert Randolph. They're all in fine form, but it's those appearing for the first time who make the biggest impressions. Derek Trucks, who performs on his own, with his wife (Susan Tedeschi, herself an excellent blues guitarist), and backing several other artists (including a frighteningly decrepit-looking Johnny Winter), is a strikingly versatile young player. On the other end of the generational spectrum, the veteran Albert Lee spins out a series of stupefyingly swift licks on "Country Boy," while Jeff Beck is, well, Jeff Beck, at age 63 still inarguably one of the most original musicians to ever strap on a Stratocaster. While most of the others are content to play straight blues or blues-derived rock, Beck sounds as if he's riding a spaceship with strings, wringing sounds out of his instrument that defy understanding, let alone imitation; backed by ace drummer Vinnie Colaiuta and 22-year-old Tal Wilkenfeld, who may be the most exciting electric bassist to emerge since Jaco Pastorius, Beck delivers versions of "'Cause We've Ended as Lovers" and "Big Block" that are the highlights of the show. Elsewhere, Clapton, as is his wont, rises to the occasion in the presence of his peers and plays with considerable passion, even if his "reunion" with Steve Winwood lacks fire (mostly due to the lackluster nature of their Blind Faith-era material, other than the lovely "Can't Find My Way Home"). In the end, one might wish for more good songs, as opposed to opportunities for extended soloing, but even diehard axe-heads will surely be satiated after some four hours of hot licks. As for everyone else, well, that's why God invented the fast forward button. --Sam Graham

Call 'em what you will (ax grinders, stringmeisters, fret burners), guitar players are the main men (and sometimes women) in the worlds of rock, blues, and country. So the idea behind this 90-minute, Canadian-produced documentary (examining various guitarists' styles, hearing their stories, and of course listening to them play) is sound, so to speak. The first half spotlights a dizzying array of players, from older rockers (Peter Frampton, Steve Winwood, Black Sabbath's Tony Iommi, Yes's Steve Howe, Tom Petty, and many others) to younger guns (Mark Bryan of Hootie and the Blowfish, Soul Asylum's Dan Murphy), from country pickers (Travis Tritt, Kix Brooks of Brooks and Dunn, Chet Atkins) to blues giants (B.B. King, T-Bone Walker), with a couple of bass players (the Who's John Entwistle, Jefferson Airplane's Jack Cassady) thrown in for good measure. They talk about how they started, pay tribute to their own heroes and favorite axes, discuss the evolution of their techniques, etc.; there's a little history, including Les Paul's invention of the solid body guitar and studio multitracking, and several too-brief live concert excerpts. The second half consists of unedited solo improvisations (mostly blues riffing) by about 20 of the players; good idea, mixed results. In the end, those who can't tell a G string from an F-hole won't be fascinated; jazz guitar lovers will feel short-changed; some will be outraged about who isn't represented (what, no Eddie Van Halen?), and Emmylou Harris is the only woman on hand. Still, guitar freaks will find plenty here to make their strings twang. --Sam Graham

A gallery of guitar greats demonstrate their musical innovations and unique styles. Features: B.B. King, Tom Petty, Joe Perry, John Entwistle, Ron Wood, and many more. Includes concert/performance footage of The Eagles, Yes, Elvis, The Doors and more!

This Les Paul instructional video represents a rare and historical in-depth view of the living legend that inspired the revolutionary development of the recording industry. Les not only invented the electric guitar, he also perfected the technique of multi-track recording and experimented with the use of "echo", what we now refer to as "reverb"

A six-outlet power strip ideal for live sound, studio, and DJ setups. No need to worry where your power outlets are with the 15-foot cord. A rugged metal housing can withstand years of abuse. A built in surge protector safegaurds your valuable equipment.Features6 outlet blockHeavy duty metal construction15 ft power cordLit ON/OFF switchCircuit BreakerEMI/RFI Noise attenuationFurman Power and Sound ProductsFurman Sound has been producing high-quality, professional products since 1974. Our products fall into two broad categories: the audio and video signal processors (on which the company was founded) and the innovative AC power conditioning and distribution products for which we have are best known. Applications for these products are no longer limited to music, but also span a wide range of markets. Our highly acclaimed CE line, established in 2001, incorporates a complete line of AC power management products specifically engineered for today's home theater systems. Additional applications for our Professional Audio/Video products include sound reinforcement, home and professional recording, post production, broadcast systems, telecommunications, and data processing.Recently we were proud to introduce the next generation in power conditioning technology: Series II. All Series II units feature our revolutionary Series Multi-Stage Protection Plus (SMP+) circuit. Developed over a period of two years by our highly skilled team of engineers, our new circuit incorporates our exclusive Linear Filter Technology (LiFT) and Extreme Voltage Shutdown (E.V.S.), making it the most advanced power-conditioning system available. SMP+ can be found in all Series II and Power Factor units.We at Furman are proud of our 32 year history, but are focused on the future and our commitment to stretch the bounds of technology to provide the mo