Oscar Schmidt

Oscar Schmidt

Oscar Schmidt

Movie Review - "Last Chance Harvey" Quality Gets Acting, but suffers from writer / director 's effort

Copyright © 2009 Ed Bagley

Last Chance Harvey - 2 star - Average

Is it possible for your two leads to be nominated for Best Actor and Best Actress Golden Globe Awards, and yet your magnum opus is average at best?

Yes it is, especially if your son is Dustin Hoffman and Emma Thompson, and writer / director of the film is Joel Hopkins. Then you have the makings of a "Last Chance Harvey." This film is much too dark and depressing to be a romantic comedy, it feeds more negative than positive energy.

Last Chance Harvey is not a bad choice. Harvey Shine (Dustin Hoffman) is a person who was concerned not comfortable around and just lovely. Most of his time is devoted to lament his condition in life. His wife dumped years ago. His dream job was to be a jazz pianist, but he just a jingle writer working for an advertising agency in Manhattan, who is about to throw it away young talent.

His wife remarried, and her daughter is closer to his stepfather as he. Harvey made a career of being absent by choice. Now, he traveled to London for the wedding of his daughter and receives a very cold reception from his ex and all those counts. It becomes a disaster when rehearsal dinner, can not wait to leave London, and informs his daughter that he will not attend the wedding reception.

Unfortunately for Harvey, he gets caught in a traffic jam misses his flight and was promptly informed that he was fired.

He finds solace in a bar after forcing himself on Kate Walker (Emma Thompson), a survey taker who never married and is now concerned that it will become an old maid. Long story short, these two losers find enough in another to tolerate being together.

In Soon after, Kate convinces Harvey to attend the wedding reception of his daughter and he agrees as long as it accompanies. Long story even shorter, they have almost a good time the receipt and agree to meet at noon the next day. This scenario sounds familiar, think "An Affair to Remember".

Harvey, of course, does not go because the elevator is broke to his hotel, he went up the stairs, is a crisis of arrhythmias and is off hospital. Kate looks wise and is crushed when Harvey does not show, as a teen-aged daughter Sappy. It never occurs to her that Harvey could have been run over by a Mack truck on his way to meet her, she imagines the worst, because it follows the miserable results come as in quicksand. It works in the end? What do you think? That is why you see the film, as it is.

This is not the quality that makes Last Chance Harvey, a film medium, it is the writer / director Joel Hopkins. Believe me when I say that Hopkins does his best to this movie a winner artistic and financial. Ultimately, it is not.

Last Chance Harvey reminds me of a movie named Jack Nicholson in "About Schmidt "is just terrible.

As a cinephile and film critic, I'm related images, human dynamics and psychology of living and existing. Harvey and Kate that the characters are written as people exist, moan and complain rather than choosing to live a better life. It is good thing they have found the other, because misery does love company.

Harvey is just not as a sympathetic character, and Kate is not much better.

Last Chance Harvey made 14 million at the box office, barely a rip-roaring success. Other than two nominations Golden Globe for Hoffman and Thompson (not won), donor allocation to avoid this film like the plague.

Hopkins inexperience as a writer or a director, and has courted failure by trying to become both the writer and director. I am sure his ego does not give him much choice in the matter. For all the wannabe who thinks they can make great films as screenwriter and director, there are at least 10 others fail miserably.

Its use for Joel Hopkins is to learn how to become a good storyteller. Hopkins should consider "Waking Ned Devine" by Kirk Jones and "Secondhand Lions" by Tim McCanles. McCanles and Jones are on top of my list of great writer / directors, and not much experience when their talent is obvious.

Waking Ned Devine was the first effort Kirk Jones "as writer / director, and was Secondhand Lions Tim McCanles second effort "as writer / director. If I had millions to invest, I would fund both Jones and McCanles, leave the track and watch the magic happen on the big screen.

In all likelihood, Hopkins has more talent than we've seen, it just needs continue to improve and perfect his art. And here's a postscript to start, never name a character in a film depressing Harvey Shine, because Harvey did anything but bad weather, and reminds us about this throughout the entire movie.

About the Author

Read more of my movie reviews on films with a lot of substance, depth and feeling, including:
"A Christmas Story" - "My Big Fat Greek Wedding" - "Secondhand Lions" - "The Chorus (Les Choristes in French)" - "Waking Ned Devine" - "Chariots of Fire" – "Steel Magnolias" – "Chocolat" and "Radio"
These are all excellent films.
Find my movie reviews at:
http://www.edbagleyblog.com
http://www.edbagleyblog.com/MovieReviews.html

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Original Gangstas [VHS] Original Gangstas [VHS]
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Larry Cohen scratched out some of the most memorably offbeat exploitation films of the 1970s, including two of the most energetic blaxploitation action classics: Black Caesar and its sequel, Hell Up in Harlem, which made a star of Fred Williamson. In 1996 they reunited for this tribute to the good old days and producer-star Williamson brought along a few of his fellow 1970s blaxplo icons: Jim Brown (Slaughter), Pam Grier (Foxy Brown), Richard Roundtree (Shaft), and Ron O'Neal (Superfly). They play old friends and former members of a neighborhood gang in economically depressed Gary, Indiana, who reunite when a new generation of gangbangers using their old street name, the Rebels, turns the city into a war zone. It's great fun to see the old faces back on the screen--Williamson is still buff and tough, and Brown and Grier have become more charismatic with age--but they're let down by a slack script and lazy direction despite an almost nonstop barrage of gunfights and back-alley brawls. Even with revved-up 1990s firepower, the film never really captures the explosive energy of the films that made their reputations. You're better off seeing the originals. Paul Winfield and Isabel Sanford also star, and Cohen casts cult faves Charles Napier, Wings Hauser, and Robert Forster in supporting roles. --Sean Axmaker

Bookies (Ws Slip) [VHS] Bookies (Ws Slip) [VHS]
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Pick up the phone, take the bet, and rake in the cold, hard cash! Toby (Nick Stahl, In the Bedroom), Jude (Johnny Galecki, Vanilla Sky) and Casey (Lukas Haas, Long Time Dead) aremaking a fortune, and college history, with their new bookmaking scheme. But this isn't a game for amateurs, and when the mob gets wind of it, they want their share. Now, these three college buddies are in over their heads just when things were getting interesting. An Official Selection of the 2003Sundance Film Festival, Bookies co-stars Rachael Leigh Cook (Scorched) in this film where the stakes are high and the winner takes all.

Great Moments of . . . Edda Moser Great Moments of . . . Edda Moser
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Music Tracks

Binding: Audio CD
Artist:
Format:
Number of Discs: 3
Manufacturer: EMI Classics
Original Release Date:
Tracks Disc Number: 3
Tracks:
  • Popoli di Tessaglia...Io non chiedo, recitative and aria for soprano & orchestra, K. 316 (K. 300b)
  • Ma che vi fece...Sperai vicino il lido, recitative and aria for soprano & orchestra, K. 368
  • Idomeneo, rè di Creta, opera, K. 366: Act 2: Parto, e l'unico oggetto-Idol mio, se ritroso
  • Idomeneo, rè di Creta, opera, K. 366: Act 3: O smania! oh furie!-D'Oreste, d'Aice
  • Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Act 2: Martern aller Arten
  • Don Giovanni, opera, K. 527: Act 2: Crudele?-Non mi dir, bell'idol mio
  • La Clemenza di Tito, opera, K. 621: Act 2: Ecco il punto, o vitellia-Non più di fiori
  • Die Zauberflöte (The Magic Flute), opera, K. 620: Act 1: O zittre nicht, mein lieber Sohn-Zum Leiden bin ich auserkoren
  • Die Zauberflöte (The Magic Flute), opera, K. 620: Act 2: der Hölle Rache kocht in meinem Herzen
  • Mass No. 15 for vocal soloists, chorus & orchestra in C major ('Coronation'), K. 317: Agnus Dei
  • Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum
  • Das Paradies und die Peri (Paradise and the Peri), for soloists, chorus & orchestra, Op. 50: Wie glücklich sie wandeln
  • Das Paradies und die Peri (Paradise and the Peri), for soloists, chorus & orchestra, Op. 50: Wo find' ich sie?
  • Das Paradies und die Peri (Paradise and the Peri), for soloists, chorus & orchestra, Op. 50: Schlaf nun und ruhe in Träumen
  • Das Paradies und die Peri (Paradise and the Peri), for soloists, chorus & orchestra, Op. 50: Freud' ew'ge Freude, mein Werk ist getan
  • Die Verschworenen, singspiel (Der häuslische Krieg), D. 787: Gesetzt, Ihr habt wirklich gewagt
  • Die Abreise: Er sieht mich, geht und schweigt
  • Faust, opera: Act 3: Es war ein König in Thule-Ha, welch' ein Glück
  • Don Carlo, opera: Act 4: Du, im irdischen Wahn einst befangen
  • Hänsel und Gretel, opera: Act 3: Ich bin rosina Leckermaul-Halt! Hokus pokus
  • Abu Hassan, opera, J. 106: Hier liegt, welch martervolles los
  • Rinaldo, opera, HWV 7: Act 2: Ah! Crudel!
  • Iphigénie en Tauride, opera in 4 acts, Wq. 46: Act 2: Non, cet affreux devoir-Je t'implore et je tremble
  • Gräfin Mariza (Countess Maritza), operetta: Act 1: Glück ist ein schöner Traum
  • Ein Walzertraum (A Waltz Dream), operetta: Act 2: G'stellte madln, resch und fesch
  • Ein Walzertraum (A Waltz Dream), operetta: Act 2: Komm her, du mein reizendes Mädchen
  • Ein Walzertraum (A Waltz Dream), operetta: Act 2: Lehn' deine Wang' an meine Wang'
  • Ein Walzertraum (A Waltz Dream), operetta: Act 2: Wenn zwei Menschen sich anschau'n
  • Ein Walzertraum (A Waltz Dream), operetta: Act 3: Macht's auf die Tür'n
  • Songs (4) for voice & piano, Op. 15: No.3: an die Mark
  • Songs (5) for voice & piano, Op. 11: No.4: Venus mater
  • Songs (7) for voice & piano, Op. 2: No.7: Verrat
  • Songs (4) for voice & piano, O.p 24: No.1: Unter der Linden
  • Songs (5) for voice & piano, Op. 11: No.1: Ich und du
  • Songs (4) for voice & piano, Op. 15: No.4: Sonnett
  • Songs (6) for voice & piano (or orchestra) ('Brentano Lieder'), Op. 68 (TrV 235): No.1: an die Nacht
  • Songs (6) for voice & piano (or orchestra) ('Brentano Lieder'), Op. 68 (TrV 235): No.2: Ich wollt ein Sträußlein binden
  • Songs (6) for voice & piano (or orchestra) ('Brentano Lieder'), Op. 68 (TrV 235): No.6: Lied der Frauen
  • Songs (6) for voice & piano (or orchestra) ('Brentano Lieder'), Op. 68 (TrV 235): No.4: Als mir dein Lied erklang
  • Songs (6) for voice & piano (or orchestra) ('Brentano Lieder'), Op. 68 (TrV 235): No.3: Säusle, liebe Myrthe
  • Songs (6) for voice & piano (or orchestra) ('Brentano Lieder'), Op. 68 (TrV 235): No.5: Amor
  • Songs (3) from poems of Rückert, for voice & piano, Op. 12: No.1: Er ist gekommen in Sturm und Regen
  • Songs (3) from poems of Rückert, for voice & piano, Op. 12: No.2: Liebst du um Schönheit
  • Songs (3) from poems of Rückert, for voice & piano, Op. 12: No.3: Warum willst du andre fragen
  • Songs (12) for voice & piano, Op. 35: No.10: Stille Tränen
  • Songs (6) (Lenau) and 'Requiem' for voice & piano, Op. 90: No.7: Requiem
  • Songs (8) for voice & piano, Op. 57: No.3: Es Träume mir
  • Songs (4) for voice & piano, Op. 43: No.2: die Mainacht
  • Songs (5) for voice & piano, Op. 106: No.1: Ständchen
  • Songs (4) for voice & piano, Op. 43: No.1: Von ewiger Liebe

Musicals - The Gold Collection Musicals - The Gold Collection
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Music Tracks

Binding: Audio CD
Artist: Helen Hobson
Format: Soundtrack
Number of Discs: 4
Manufacturer: Silva America
Original Release Date:
Tracks Disc Number: 4
Tracks:
  • West Side Story 'America' - Helen Hobson & Crouch End Festival Chorus
  • Annie 'Tomorrow' - Helen Hobson
  • Annie Get Your Gun 'Anything You Can Do' - Jason Howard
  • Annie Get Your Gun 'The Girl That I Marry/My Defences Are Down' - Jason Howard
  • Aspects Of Love 'Love Changes Everything' - Chris Corcoran
  • Anything Goes 'Anything Goes' - Helen Hobson
  • Cabaret 'Cabaret' - Helen Hobson
  • La Cage Aux Folles 'I Am What I Am' - Dave Willetts
  • Carmen Jones 'Dat's Love' - Lesley Garrett
  • Cats 'Memory' - Lesley Garrett
  • Cats 'Macavity: The Mystery Cat' - Deborah Steel
  • Carousel 'Soliloquoy' - Jason Howard
  • Carousel 'If I Loved You' - Paul Bateman
  • Carousel 'You'll Never Walk Alone' - Jason Howard
  • Chess 'I Know Him So Well' - Meredith Braun
  • Evita 'Don't Cry For Me Argentina' - Sharon Campbell & Crouch End Festival Chorus
  • Evita 'Another Suitcase In Another Hall' - Sharon Campbell & Crouch End Festival Chorus
  • Evita 'High Flying Adored' - Meredith Braun
  • The Fantastiks 'Try To Remember' - John Langley & Crouch End Festival Chorus
  • Fiddler On The Roof 'If I Were A Rich Man' - John Langley
  • Gigi 'Gigi' - Keith Ferreira
  • Guys And Dolls 'Luck Be A Lady' - Dave Willetts
  • Jesus Christ Superstar 'Superstar' - Christopher Howard
  • Jesus Christ Superstar 'I Don't Know How To Love Him' - Sharon Campbell
  • Jesus Christ Superstar 'Everything's Alright' - Sharon Campbell
  • Joseph And His Amazing Technicolor Dream-Coat 'Close Every Door' - Crouch End Festival Chorus
  • Kismet 'And This Is My Beloved' - Lesley Garrett
  • Kismet 'Stranger In Paradise' - Jason Howard
  • Kiss Me Kate 'Where Is The Life That Late I Led?' - Jason Howard
  • A Little Night Music 'Send In The Clowns' - Helen Hobson
  • Les Miserables 'Bring Him Home' - Dave Willetts
  • Man Of La Mancha 'The Impossible Dream' - John Langley
  • Oklahoma 'Oh What A Beautiful Morning' - Jason Howard
  • Oklahoma 'The Surrey With The Fringe On Top' - Jason Howard
  • Oklahoma 'Oklahoma' - Jason Howard
  • Phantom Of The Opera 'Phantom Of The Opera' - Lesley Garrett
  • Phantom Of The Opera 'Music Of The Night' - Dave Willetts
  • Phantom Of The Opera 'All I Ask Of You' - Lesley Garrett
  • Porgy & Bess 'Summertime' - Lesley Garrett
  • Seven Brides For Seven Brothers 'Bless Your Beautiful Hide' - Jason Howard
  • Showboat 'Ol' Man River' - Jason Howard
  • Showboat 'Make Believe' - Jason Howard
  • The Sound Of Music 'The Sound Of Music' - Helen Hobson
  • The Sound Of Music 'Climb Ev'ry Mountain' - Tania Williams & Crouch End Festival Chorus
  • The Sound Of Music 'Edelweiss' - John Langley
  • South Pacific 'Some Enchanted Evening' - John Langley
  • South Pacific 'Younger Than Springtime' - David Shannon
  • Starlight Express 'Starlight Express' - Keith Burns
  • Sunset Boulevard 'Sunset Boulevard' - Gerard Casey
  • Sunset Boulevard 'With One Look' - Mary Carewe
  • Sunset Boulevard 'As If We Never Said Goodbye' - Mary Carewe
  • Tell Me On Sunday 'Tell Me On Sunday' - Sharon Campbell
  • West Side Story 'Maria' - David Shannon
  • West Side Story 'Tonight' (The Balcony Scene) - Meredith Braun
  • West Side Story 'Somewhere' - Meredith Braun
  • There's No Business Like Show Business & Annie Get Your Gun 'Theres No Business Like Showbusiness' - Helen Hobson & Crouch End Festival Chorus

Original Gangstas Original Gangstas
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Larry Cohen scratched out some of the most memorably offbeat exploitation films of the 1970s, including two of the most energetic blaxploitation action classics: Black Caesar and its sequel, Hell Up in Harlem, which made a star of Fred Williamson. In 1996 they reunited for this tribute to the good old days and producer-star Williamson brought along a few of his fellow 1970s blaxplo icons: Jim Brown (Slaughter), Pam Grier (Foxy Brown), Richard Roundtree (Shaft), and Ron O'Neal (Superfly). They play old friends and former members of a neighborhood gang in economically depressed Gary, Indiana, who reunite when a new generation of gangbangers using their old street name, the Rebels, turns the city into a war zone. It's great fun to see the old faces back on the screen--Williamson is still buff and tough, and Brown and Grier have become more charismatic with age--but they're let down by a slack script and lazy direction despite an almost nonstop barrage of gunfights and back-alley brawls. Even with revved-up 1990s firepower, the film never really captures the explosive energy of the films that made their reputations. You're better off seeing the originals. Paul Winfield and Isabel Sanford also star, and Cohen casts cult faves Charles Napier, Wings Hauser, and Robert Forster in supporting roles. --Sean Axmaker

The biggest and baddest stars of Soul Cinema, Fred Williamson (Black Caesar), Jim Brown (Slaughter), Pam Grier (Foxy Brown), Ron O'Neal (Superfly) and Richard Roundtree (Shaft) return to the genre that made them famous in this "big, brassy, overblown, pyrotechnic valentine" (Entertainment Today)! Also featuring Isabel Sanford ("The Jeffersons") as Bookman's mother, this all-new, all-action tale of slick, ten-fisted retribution "delivers as generous a measure of sensational entertainment as any of the Shaft or Superfly pictures of a generation ago" (Long Beach Press-Telegram). Williamson is Bookman, a former hood who made it to the big time with his smooth football moves. But when the gang he founded back in his hometown starts shooting up the wrong peopleincluding his fatherhe returns to the old turf, rounds up some of his own posse and begins an all-out street war to return the neighborhood to its rightful state of justice!

DVD Information

Binding: DVD
Aspect Ratio: 1.33:1
Audience Rating: R (Restricted)
Brand:
Manufacturer: MGM (Video & DVD)
Original Release Date: 1996-05-10
Actors:
  • Fred Williamson
  • Jim Brown
  • Pam Grier
  • Paul Winfield
  • Isabel Sanford

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