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Stevie Ray Vaughan (Portrait) Art Print Poster - 11x17

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Digitally remastered and expanded two CD Legacy Edition of the Blues guitarist's 1984 album. This edition contains 16 previously unreleased tracks, studio outtakes and the live recording of Vaughan & Double Trouble's 1984 performance at the Spectrum in Montreal. A 24 colour page booklet completes the package with liner notes by Guitar World Associate Editor (and Stevie Ray Vaughan authority) Andy Aledort as well as commentary by Double Trouble band mates Chris Layton and Tommy Shannon.

Movie DVD

In 1990, Texas bluesman Stevie Ray Vaughan was just emerging from a long period in which drugs had taken their toll: the previous year's In Step album was the first he had made drug free, and the results were a marvel. But then, after sharing a stage with Buddy Guy, Robert Cray, and Eric Clapton, he boarded a helicopter to Chicago. It crashed, and the career of one of the great blues guitarists was ended. Rewind to 1983 and here is Stevie Ray at the beginning of his fame, his first album with his backing band Double Trouble, Texas Flood, having just been released to critical and popular acclaim. The venue is the El Mocambo club in Toronto, a dark, smoky joint with a laid-back but appreciative clientele. Vaughan, drummer Chris Layton, and bassist Tommy Shannon share the tiny stage. The guitarist, bedecked in trademark hat and alligator-skin boots, is pale of complexion, sweating from the heat and physical exertion, and physically much smaller than Shannon, who towers over him. But Vaughan dominates, as much by the magnetism of his flamboyant personality as his guitar playing. And what playing: by turns fiery, funky, then limpid and surprisingly graceful. Here is an authentic blues artist captured in the throes of living through his music. At this early stage in his career he was still very much in thrall to Jimi Hendrix (the flower-power shirt gives it away), as covers of "Voodoo Chile" and "Third Stone from the Sun" (the latter a Hendrix-inspired guitar-abuse session) indicate. The highlight of the show, however, is his rendition of "Texas Flood," which turns out to be an amazing essay on the art of blues guitar. This is a raw, intimate, and spontaneous record of a one-time event. All fans of the blues will be grateful to those who had the foresight to capture it on film. --Mark Walker

In 1990, Texas bluesman Stevie Ray Vaughan was just emerging from a long period in which drugs had taken their toll: the previous year's In Step album was the first he had made drug free, and the results were a marvel. But then, after sharing a stage with Buddy Guy, Robert Cray, and Eric Clapton, he boarded a helicopter to Chicago. It crashed, and the career of one of the great blues guitarists was ended. Rewind to 1983 and here is Stevie Ray at the beginning of his fame, his first album with his backing band Double Trouble, Texas Flood, having just been released to critical and popular acclaim. The venue is the El Mocambo club in Toronto, a dark, smoky joint with a laid-back but appreciative clientele. Vaughan, drummer Chris Layton, and bassist Tommy Shannon share the tiny stage. The guitarist, bedecked in trademark hat and alligator-skin boots, is pale of complexion, sweating from the heat and physical exertion, and physically much smaller than Shannon, who towers over him. But Vaughan dominates, as much by the magnetism of his flamboyant personality as his guitar playing. And what playing: by turns fiery, funky, then limpid and surprisingly graceful. Here is an authentic blues artist captured in the throes of living through his music. At this early stage in his career he was still very much in thrall to Jimi Hendrix (the flower-power shirt gives it away), as covers of "Voodoo Chile" and "Third Stone from the Sun" (the latter a Hendrix-inspired guitar-abuse session) indicate. The highlight of the show, however, is his rendition of "Texas Flood," which turns out to be an amazing essay on the art of blues guitar. This is a raw, intimate, and spontaneous record of a one-time event. All fans of the blues will be grateful to those who had the foresight to capture it on film. --Mark Walker

Advanced techniques and graphics. All exercises transcribed in the accompanying booklet. All techniques shown close-up and with special split-screen.

Few guitarists ever mastered the Fender Stratocaster like the late, great Texas bluesman Stevie Ray Vaughan, and this priceless digital video disc collects both of the sizzling appearances that Vaughan and his solid band, Double Trouble, made on the PBS concert series Austin City Limits. Combined to form the most popular program in the show's distinguished history, the concerts were taped in 1983 and 1989; both provide a valuable portrait of Vaughan's astounding artistic development. The performances serve as bookends to Vaughan's brilliant career with Double Trouble, showing (in the words of producer Terry Lickona) a striking contrast between "zero self-confidence" and "pure magic," but in both cases you can see a master at work. Songs include "Pride and Joy," "Texas Flood," "Voodoo Chile," "Cold Shot," and "Riviera Paradise." This great-sounding DVD also includes the posthumous music video "Little Wing," featuring clips of Double Trouble and archival footage of blues greats from the 1920s to the mid-1990s. If you're even a part-time blues fan, Stevie Ray Vaughan: Live from Austin, Texas is a must-have disc. --Jeff Shannon

Few guitarists ever mastered the Fender Stratocaster like the late, great Texas bluesman Stevie Ray Vaughan, and this priceless digital video disc collects both of the sizzling appearances that Vaughan and his solid band, Double Trouble, made on the PBS concert series Austin City Limits. Combined to form the most popular program in the show's distinguished history, the concerts were taped in 1983 and 1989; both provide a valuable portrait of Vaughan's astounding artistic development. The performances serve as bookends to Vaughan's brilliant career with Double Trouble, showing (in the words of producer Terry Lickona) a striking contrast between "zero self-confidence" and "pure magic," but in both cases you can see a master at work. Songs include "Pride and Joy," "Texas Flood," "Voodoo Chile," "Cold Shot," and "Riviera Paradise." This great-sounding DVD also includes the posthumous music video "Little Wing," featuring clips of Double Trouble and archival footage of blues greats from the 1920s to the mid-1990s. If you're even a part-time blues fan, Stevie Ray Vaughan: Live from Austin, Texas is a must-have disc. --Jeff Shannon

Presents the band's appearances on Austin City Limits.